Review Sony RX100 VI. The RX100 VI is a brilliant camera and more accomplished than the, Touchscreen LCD for choosing focus points. This replaces a great source of frustration on previous RX100 models and gone are the days of endless clicks and multiple button presses when trying to move an AF point. It’s just that both detail and color quality at such settings drops below the level I would consider consistently usable. In the field, the RX100 VI’s high ISO performance can prove problematic for low light and action photography. As a whole, the Sony RX100 VII only has a few key differences from the RX100 VI. Compared to Canon and Panasonic’s fully-integrated touch interfaces, this just feels lazy; it’s as if the iPhone never happened. The solid-feeling camera is really small, measuring just 4 x 2.4 x 1.7 inches and weighing 10.7 ounces with battery and memory card loaded. That smooth body has its drawbacks, though: as usual for an RX100, it has all the assured handling of a bar of soap. The button layout on the RX100 VI is also quite troublesome with the rear dial proving especially tricky to operate. 24-200mm f/2.8-4.5 equiv. It also has a slight colour cast in the highlights, which is particularly visible when playing back black-and-white images. Save this story for later. A significant limitation of the RX100 series is their very short battery life. This makes shooting in Manual Mode on the RX100 VI remarkably cumbersome though this isn’t unexpected on a camera body this small. Sony camera review >. Anyone coming from a Sony Alpha camera will probably adapt pretty easily. At the very least you’ll need a wrist strap to save the camera when it inevitably slips from your grasp, and I’d strongly advise adding the stick-on Sony AG-R2 grip, or one of the multitude of third-party alternatives. Low-light shooters would probably still do better to stick to the RX100 V and its shorter-but-faster f/1.8-2.8 zoom, while videographers will be disappointed by the lack of a built-on ND filter. Yes, there is a tiny rubberized thumb rest, but the otherwise smooth surface makes it difficult to keep a firm hold on the camera. The RX100 series has long suffered from a clustered menu, and unfortunately, things haven’t really changed. Post author: Erik Derycke Post published: 25 November 2020 The RX100 VI shares the same excellent sensor and processor combination as the RX100 V and the RX10 IV. Unfortunately, pushing it down again turns the camera off, which is irritating given that you probably just wanted to use the screen instead. The corners can be a bit soft at the wider end of the zoom range, but the overall performance of the lens is excellent. That doesn’t mean you can’t use higher values as the image below illustrates. Sony has previously been happy to let Panasonic own the high-zoom travel compact sector with models like the. For vloggers and videographers, there is a 1,228,800 dot 3-inch screen that can tilt up by 180 degrees to directly face the subject, and in a first for the series, it’s also touch-sensitive. Successive generations have introduced new features to maintain its lead, with the adoption of a tilting screen in the RX100 II, a pop-up viewfinder and large-aperture zoom in the RX100 III, 4K video in the RX100 IV and high-speed shooting on the RX100 V. All of those models remain on sale, which makes sense as the new RX100 VI is a different beast. While this feature was also available on the RX100 V, its performance on the Mark VI has been enhanced thanks to much better algorithms. On the top surface, there’s a dedicated mode dial, a power button, a shutter with zoom collar, and a button for the popup flash. The VI’s gained a bit of depth over its predecessor, but it still easily fits into the side pocket of most jeans. It can record 4K 3840 x 2160 footage at 25fps with full pixel readout, which delivers highly detailed footage with no field of view crop. Sony’s PlayMemories Mobile app for Android and iOS does at least provide full remote control of the camera complete with live view display, and allow you to transfer images to your phone or tablet for sharing. Review Sony RX100 VI. The button layout is also inadequate compares poorly to Sony’s own mirrorless camera bodies. With 24–200 mm zoom, 1.0-type CMOS sensor, phase-detection AF, ultra-fast 0.03-sec. Also some more shots of Cratia and Plitvice would have been nice. Most cameras these days offer some face detection focus feature, but Sony has taken things a step further with their Eye AF feature which automatically seeks out a human eye in the frame and tries to focus on it. While the Sony DSC-RX100 VI is a very capable bridge camera with powerful features, at $1,200, it's too pricey to recommend to most people. There is also a range of slow-motion video recording options. The screen’s main failing is that it’s not especially bright, so unlike the TZ200’s it’s not very usable in direct sunlight. The only focal length setting which offers the f/2.8 aperture is at 24mm. Sony redesigned the camera's sensor so it polls its autofocus points more frequently, and covered it from nearly edge to edge with … New to the RX100 series is Bluetooth connectivity, but it’s only used for geotagging your images, and disappointingly you don’t get any of the neat features it brings to the Panasonic TZ200 or Canon PowerShot G1 X Mark III. The RX100 VII is compatible with Ikelite and Fantasea RX100 VI … To be on the safe side, I strongly recommend using your left hand as support if you intend on taking your thumb off the thumb rest as the likelihood of the camera taking an unintended tumble is quite high in such situations. For example, you have to fire up specifically the remote control mode from the camera itself, and can’t simply take control from the app. This results in a truly phenomenal continuous shooting rate of 24 frames per second at full resolution, with a 233-shot JPEG buffer, while continuously adjusting focus and exposure between frames. Add this to a 1-inch, back-illuminated 20.1MP Exmor CMOS sensor with Fast Hybrid AF and you have a seriously powerful combination. The RX100 VI features a fantastic focusing system with 315 phase-detection autofocus points offering 65% frame coverage inherited from the Mark V. This grants the RX100 VI a distinct advantage in both video and stills shooting over similar cameras on the market, most of which do not have phase detect systems. You still have to prepare all the image settin… The RX100 VI's long lens makes it different enough from the others in the series that I really wish that Sony had simply called it the RX200. The RX100 VII is compatible in some RX100 VI housings, but not all. , but the RX100 VI plants a size-10 boot in TZ territory. Announced in June 2018, the RX100 VI is yet another iteration of Sony’s RX100 series of pocketable high-end compact cameras. This means that Sony RX100 VI provides 4K … The grip adds nothing to the camera’s size, so should be built-in from the start, or at least included in the box. Sony would have been better off making a more rubberized camera body for a better grip while also making the LCD screen smaller so that there would be more room for improved button placement. The issue is especially noticeable thanks to the RX100’s large buffer size which can take well over a minute to entirely clear. The rotating control is a useful feature to have, and it’s especially helpful for controlling lens zoom, aperture and exposure compensation. However, and this isn't a fair comparison, coming from a Canon 6D and now a Sony A7 III, the RX100 VI 1 inch sensor can't compete in the low light department. The first problem is that £1150 price tag. It was strained in relatively … In particular its high-speed focusing and shooting means that you should very rarely miss a shot. However, photographers who like to shoot portraits will gain more from the extra zoom than they’ll lose from the smaller f-number. Sony has started to incorporate touchscreen functionality in their more recent mirrorless cameras, and it’s great to see the RX100 series finally catching up. When shooting a typical burst of photographs, the RX100 VI did a nice of keeping approaching subjects in proper focus. Unlike other sites, we thoroughly test every product we review. One real weakness of the RX100, though, is battery life. The absence of a built-in microphone port is also disappointing, as this could make the RX100 VI a phenomenal camera for vlogging. The RX100VI features one UHS-I type SD card slot rather than the faster UHS-II type slot which significantly inhibits burst mode shooting and the camera’s acclaimed 24-frames-per-second burst mode. The III/IV/V/VA lens design, a 24-70mm f/1.8-2.8, … Learn More. Retractable 2.36M-dot EVF 5. Sample Images Intro Specs Performance Compared User's Guide Recommendations Sony RX100 Mark VII (20 MP one inch sensor, 9-72mm f/2.8-4.5 lens (24-200mm equivalent), 10.7 oz./302g with battery and card, $1,198). Unsurprisingly, the camera’s performance takes a big hit when working in dim lighting conditions, with focus speed and accuracy decreasing noticeably. There is a diopter adjustment on the top of the EVF extension piece which you can use to fine-tune your viewing experience. It acquires focus on static subjects in the blink of an eye; indeed it’s noticeably quicker than the Panasonic TZ200, which is absolutely no slouch. That's 99% of my review; the DSC-RX100 Mark VI is an absolutely superb camera. We never, ever accept money to review a product. The body and ergonomics of the RX100 VI are almost identical to previous models in the series. So you can’t use your phone as a basic, always-connected remote release, or browse through your photos while your camera is safely stowed in your pocket or bag. One feature missing for those interested in vlogging is a dedicated microphone input, and there’s no way to connect one wirelessly. It’s just a shame Sony can’t make the camera weather-sealed like the, That smooth body has its drawbacks, though: as usual for an RX100, it has all the assured handling of a bar of soap. Just how many photographers will need this capability on a pocket compact is a different question. It also retains the Mark V’s excellent 315-point phase-detection point autofocus system, 2,359K dot EVF and numerous other innovations. Sadly, the touchscreen implementation on Sony cameras remains underdeveloped. Sony. It’s not as if there is no beautiful locations to shoot there…, Z6 II vs. Z7 II – advice on which one better for enthusiast level, To watermark or not to watermark on prints, Sensor: 20.1 MP 1-inch type stacked CMOS image sensor, 24 fps continuous shooting with full continuous AF, UHD 4K video at 30p and 24p along with 1080p slow-motion capture, Extremely small form factor and light weight, Excellent 20-megapixel stacked 1-inch sensor, Excellent lens with a flexible focal range, USB charging allows for on the fly recharge, Lack of proper grip makes it easy to accidently drop, Low light performance limited by the lens, Lack of ND filter and Mic socket limit video shooting. Unsurprisingly, the one area where the focus system struggled was shooting in low-light environments. The biggest change to the Sony Cyber-shot RX100 VI is the new 24-200mm lens, which extends the zoom range from 70mm on the previous model to a whopping 200mm. But then you get no feedback from the camera that it’s actually shooting, so it could really do with the same kind of visual cues Sony has used in its high-speed Alpha 9 mirrorless camera. The RX100 VI features a popup viewfinder in the top left corner which houses an XGA OLED 2,359K dot panel with 0.59 magnification. This would have been a great addition as none of its competitors have this feature which is essential for vloggers. The RX100 VI does, though, finally give anyone looking for a pocketable, high-quality, long-zoom compact an alternative to the Lumix series. Order today and it should ship in August for your vacation. All things considered, it is worth the compromises to have so much power in such a small, inconspicuous body. Compared to the viewfinders on mirrorless cameras, the EVF is very small, but it remains a highly useful feature for framing and shooting in bright lighting conditions. The camera features the same popup XGA OLED electronic viewfinder of the Mark V, and it now functions via a single-action mechanism which allows you to pop it in and out with ease. I would disagree about shooting manually, though. This all-content, junk-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in whi… On account of this and the lack of weather sealing the RX100 VI should be handled with care. Without a proper grip, it almost always feels as though the camera might slip out of your hands. This is an excellent review that really highlights the strengths and weaknesses of this camera. Set the zoom ring option, and you get smooth, continuous zooming with the big ring at the base of the lens instead of … This point-and-shoot is small and lightweight, and it packs an impressive zoom. In a pleasant surprise, the camera maintains the f/4 aperture all the way from the 40mm until the 109mm setting. A part of this unavoidable as there are inherent tradeoffs to making such a tiny camera body. Additionally, the small body size means that there isn’t a whole lot of real estate for your fingers to grasp onto at the front of the camera. The Sony RX100 VI is a spectacularly capable travel camera, combining a flexible zoom range with impressive autofocus.
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